Keyword: Sati
A Gentoo Woman Burning herself (1768)
from: Cavendish Drake, E. A, Universal Collection of Authentic and Entertaining Voyages and Travels, London, J. Cooke, 1768
A scene of Sati ritual Souryabha. Femme duchadja Jasingha se brulant. On represente icy la maniere en laquelle se brusla une femme de Radja Jasing appellée en la langue Indienne - Souryabha, qui veut dire lumiere du soleil, elle se brusla sans faire paroistre acucune crainte du feu ni de la mort. (1678-1686)
from: Nicolo Manucci, Histoire de l'Inde depuis Tamerlank jusquà Orangzeb [ms Libro Rosso, fol. 50v]
Bibliothèque nationale de France, Paris
An Indian Woman Burning (1780)
from: Moore, Voyages and Travels, 1780
London, Wellcome Collection
Ceremony of Burning a Hindu Widow (19th century)
http://www.columbia.edu/itc/mealac/pritchett/00routesdata/1800_1899/hinduism/sati/sati.html
Funerailles des Femmes Benjanoises (1725)
from: van der Aa, P. La galerie agreable du monde. Tome premier des Indes Orientales, Leiden, c. 1725
http://www.columbia.edu/itc/mealac/pritchett/00routesdata/1800_1899/hinduism/sati/sati.html
Immolation of a Hindoo Widow (1814)
from: Lester. The Gallery of Nature and Art, 1814
London, Wellcome Collection
Satī. The bride immolates herself on the funeral pyre (1657)
from: Isfahan, Iran
The Israel Museum, Jerusalem
Scene of a Sati, with a woman throwing herself into the flames amid a crowd playing trumpets. Above, a winged devil holds the banner with the book's title and the torch with which he lights the ritual fire. (1670)
from: Abraham Rogerius, Le Théâtre de l’idolatrie ou la porte ouverte, Amsterdam, Jean Schipper, 1670, title page
in: Burning Women Widows, Witches, and Early Modern European Travelers in India, pp.
New York: Palgrave Macmillan, 2003.
Women in India: The “Sati” and the Harem
in: India in Early Modern English Travel Writings, pp. 209-238
Leiden: Brill, 2012.
Devi Kund Sagar: The Iconography of Satī and Its Absence in Bikaner’s Chatrīs
in: Royal Umbrellas of Stone: Memory, Politics, and Public Identity in Rajput Funerary Art, pp. 213–247
Leiden: Brill, 2015.
The Problem of Sati: John Locke’s Moral Anthropology and the Foundations of Natural Law
in: Journal of Early Modern History, v. 18 (2014), issue 1-2: pp.69-100.
The Iconographies of Sati
in: Sati, the Blessing and the Curse: The Burning of Wives in India, pp. 27-49
Oxford: Oxford University Press, 1994.
Pietro Della Valle's Letters on India
in: East and West, v. 2 (1952), issue 4: pp.205-217.
“Searching for the New”: Later Safavid Painting and the “Suz u Gawdaz” (“Burning and Melting”) by Nau’i Khabushani
in: The Journal of the Walters Art Museum, v. 59 (2001), issue : pp.115–130.
Die flambierte Frau: Sati in European Culture
in: Sati, the Blessing and the Curse: The Burning of Wives in India, pp. 35-50
Oxford: Oxford University Press, 1994.
Sati and the Task of the Historian
in: Journal of World History, v. 18 (2007), issue 3: pp.361-368.
La fenomenologia della sati nella Scommessa di Prometeo
in: Le mythe repensé dans l’œuvre de Giacomo Leopard, pp. 327-337http://books.openedition.org/pup/11256
Aix-en-Provence: Presses universitaires de Provence, 2016.
Les Veuves de Malabar: Sati, Colonialism, and the Enlightment
in: French Theatre, Orientalism, and the Representation of India, 1770-1865, pp. 19-71
Abingdon - New York: Routledge, 2021.