Keyword: India
Agni: The Vedic Ritual of the Fire Altar
Berkeley: Asian Humanities Press, 1983.
The Rig Veda
London: Penguin, 1981.
A parallel between Indic and Babylonian Sacrificial Ritual
in: Journal of the American Oriental Society, v. 54 (1934), issue 2: pp.107-128.
Prior to taking up their abode in the hut, oblations have to be made to the presiding deities. Lakṣmaṇa hunts deer on the right, and returns to the hut to cook it; Rāma offers part of it as a sacrifice. The two brothers then eat, while Sītā waves a scarf over the food to keep the flies off, and she then retires to the hut to eat her own meal. The three begin their lives in exile in the peace of Citrakūṭa (ca 1653)
from: Ramayana, [ms Add. 15296(1), fol. 71]
British Library, London [from Udaipur]
A Gentoo Woman Burning Herself (1770)
http://www.columbia.edu/itc/mealac/pritchett/00routesdata/1800_1899/hinduism/sati/sati.html
A Gentoo Woman Burning herself (1768)
from: Cavendish Drake, E. A, Universal Collection of Authentic and Entertaining Voyages and Travels, London, J. Cooke, 1768
A mountain city with multistoried hill architecture. Outside the gates on the right is a Saivite shrine with a lingum covered by floral offerings to which a goat is led, probably for sacrifice. (17th)
from: Unidentified Hindu chronicle of a King
Metropolitan Museum, New York
A scene of Sati ritual Souryabha. Femme duchadja Jasingha se brulant. On represente icy la maniere en laquelle se brusla une femme de Radja Jasing appellée en la langue Indienne - Souryabha, qui veut dire lumiere du soleil, elle se brusla sans faire paroistre acucune crainte du feu ni de la mort. (1678-1686)
from: Nicolo Manucci, Histoire de l'Inde depuis Tamerlank jusquà Orangzeb [ms Libro Rosso, fol. 50v]
Bibliothèque nationale de France, Paris
A scene with fakirs and ritualistic animal sacrificeFaquires Bequedes Mahometans (1678-1686)
from: Nicolo Manucci, Histoire de l'Inde depuis Tamerlank jusquà Orangzeb [ms Libro Rosso, fol. 50v]
Bibliothèque nationale de France, Paris
An illustration from the Ramayana. Rāma and Lakṣmaṇa protect the rishis' sacrificial fire from the rakṣasas (demons) (1800-1805)
from: This is from a series of eighty-four paintings on European paper and was once stored in a folder labelled: 'Ramayana Subjects, Deccani School: 1800-1805 (on European paper)'.
British Museum, London
An Indian Woman Burning (1780)
from: Moore, Voyages and Travels, 1780
London, Wellcome Collection
Anshuman finds the horse and the ashes of his sixty thousand uncles. In great distress, he looks for water with which to sprinkle the ashes. His maternal uncle Garuda advises him to return with the horse in order to complete the sacrifice. He also says that the pure water of the river Ganges should be sprinkled on the ashes of his uncles in order for them to attain heaven (1712)
from: Ramayana, Bala Kanda, Ms Add. 15295, fol. 117
British Library, London [from Udaipur]
Brahmin undergoing the test of fire after prolonged penance and yoga practices; Yogi dragging heavy iron chains; and a man tied to a tree who has chosen to embrace death (1670)
from: Abraham Rogerius, Le Théâtre de l’idolatrie ou la porte ouverte, Amsterdam, Jean Schipper, 1670, p. 252
Bramenes cum mortuus est (1598)
from: Banerjee, P. Burning Women, New York, Palgrave-Macmillan, 2003, p. 92
Brulement des femmes (1700)
http://www.columbia.edu/itc/mealac/pritchett/00routesdata/1800_1899/hinduism/sati/sati.html
Burning of a Hindu Widow at Her Husband’s Funeral Pyre (1666?)
from: Banerjee, P. Burning Women, New York, Palgrave-Macmillan, 2003, p. 87