Keyword: Satī
A Gentoo Woman Burning herself (1768)
from: Cavendish Drake, E. A, Universal Collection of Authentic and Entertaining Voyages and Travels, London, J. Cooke, 1768
A scene of Sati ritual Souryabha. Femme duchadja Jasingha se brulant. On represente icy la maniere en laquelle se brusla une femme de Radja Jasing appellée en la langue Indienne - Souryabha, qui veut dire lumiere du soleil, elle se brusla sans faire paroistre acucune crainte du feu ni de la mort. (1678-1686)
from: Nicolo Manucci, Histoire de l'Inde depuis Tamerlank jusquà Orangzeb [ms Libro Rosso, fol. 50v]
Bibliothèque nationale de France, Paris
An Indian Woman Burning (1780)
from: Moore, Voyages and Travels, 1780
London, Wellcome Collection
Ceremony of Burning a Hindu Widow (19th century)
http://www.columbia.edu/itc/mealac/pritchett/00routesdata/1800_1899/hinduism/sati/sati.html
Funerailles des Femmes Benjanoises (1725)
from: van der Aa, P. La galerie agreable du monde. Tome premier des Indes Orientales, Leiden, c. 1725
http://www.columbia.edu/itc/mealac/pritchett/00routesdata/1800_1899/hinduism/sati/sati.html
Immolation of a Hindoo Widow (1814)
from: Lester. The Gallery of Nature and Art, 1814
London, Wellcome Collection
Satī (17th)
from: Manuscript, Iran
Harvard Art Museums/Arthur M. Sackler Museum, The Norma Jean Calderwood Collection of Islamic Art
Sati Funeral Practice (1611)
from: Johannes Isacius Pontanus, "Rerum et urbis Amstelodamensium historia", Amsterdam, 1611, p. 189
Satī. Gentile women of the caste of the cattle drivers, who is buried alive with her husband after he had died [1540]
Codice Casanatense, Biblioteca Casanatense, ms. 1889, fol. 64r, Rome
Satī. The bride immolates herself on the funeral pyre (1657)
from: Isfahan, Iran
The Israel Museum, Jerusalem
Scene of a Sati, with a woman throwing herself into the flames amid a crowd playing trumpets. Above, a winged devil holds the banner with the book's title and the torch with which he lights the ritual fire. (1670)
from: Abraham Rogerius, Le Théâtre de l’idolatrie ou la porte ouverte, Amsterdam, Jean Schipper, 1670, title page
Scene of a sati. In the foreground, a widowed woman (encountered by Della Valle on November 12, 1623) on horseback holds a mirror and a lemon amidst a crowd. In the background, a woman throws herself into the flames of a funeral pyre (1665)
from: Della Valle, Pietro, De volkome beschryving der voortreffelijke reizen van de deurluchtige reisiger Pietro della Valle, edelman van Romen, in veel voorname gewesten des werrelts, sedert het jaer 1615, tot in 't jaar 1626 gedaan. Amsterdam, Abraham Wolfgang, 1666, vol. 5, pag. 163
Woman Committing Sati (17th century)
Harvard Art Museum, Boston (https://harvardartmuseums.org/art/165399)
Depiction of a satī on a map. A horned figure standing by a woman burning on a pyre (1522)
from: Claudii Ptolemaei... [Maps.C.1.d.11]
British Library, London
Idolatres (1685)
from: Allain Manesson Mallet, Description de l'Univers, , contenant les differents systêmes du monde, les cartes générals et particulières de la géographie ancienne et modern. Vol.: De l'Asie.
Satī, from a Sūz u Gudāz manuscript. The union of the couple on the pyre (1657)
from: Sūz u Gudāz ms, Iran, Walters Manuscript W. 649, fol. 19b (Burning and Melting)
The Walters Art Museum, Baltimore, Maryland
the young Hindu woman accompanies her bridegroom's coffin to the funeral pyre and decides to commit sati (1657)
from: Walters manuscript W.649 (Burning and Melting)
The Walters Art Museum
