Sati Funeral Practice
Year: 1611
From: Johannes Isacius Pontanus, "Rerum et urbis Amstelodamensium historia", Amsterdam, 1611, p. 189
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2. Sacrifice and religion: Comparisons, Antiquarians, Anthropology (16th-18th Century) 7. Sacrifices of self: Martirology and Catholic global missions (16th-18th Century)
Related Documents:
Immolation of a Hindoo Widow (1814)
from: Lester. The Gallery of Nature and Art, 1814
London, Wellcome Collection
Satī. The bride immolates herself on the funeral pyre (1657)
from: Isfahan, Iran
The Israel Museum, Jerusalem
Scene of a Sati, with a woman throwing herself into the flames amid a crowd playing trumpets. Above, a winged devil holds the banner with the book's title and the torch with which he lights the ritual fire. (1670)
from: Abraham Rogerius, Le Théâtre de l’idolatrie ou la porte ouverte, Amsterdam, Jean Schipper, 1670, title page
Scene of a sati. In the foreground, a widowed woman (encountered by Della Valle on November 12, 1623) on horseback holds a mirror and a lemon amidst a crowd. In the background, a woman throws herself into the flames of a funeral pyre (1665)
from: Della Valle, Pietro, De volkome beschryving der voortreffelijke reizen van de deurluchtige reisiger Pietro della Valle, edelman van Romen, in veel voorname gewesten des werrelts, sedert het jaer 1615, tot in 't jaar 1626 gedaan. Amsterdam, Abraham Wolfgang, 1666, vol. 5, pag. 163
Satī (17th)
from: Manuscript, Iran
Harvard Art Museums/Arthur M. Sackler Museum, The Norma Jean Calderwood Collection of Islamic Art