"The First Adventure of the White Horse". The king performed the horse sacrifice in order to determine the extent of his rule. For one year a horse wanders and every land through which the horse passes becomes part of the king’s territory. Arjuna following the horse encountered the son-in-law of the god of fire, Agni, who creates a river of fire to block the warriors. Arjuna pleads with Agni, the god of fire that the horse be allowed to pass, saying that the horse sacrifice is in accordance with sacred Vedic injunctions, and that at the end of the year, the horse will be sacrificed to him, the god of fire himself.
Year: 1610-1617
From: Page from the Khan Khanan's Razm Nama (Book of Wars)
Location: The Cleveland Museum of Art
External link: www.clevelandart.org
Topics:
2. Sacrifice and religion: Comparisons, Antiquarians, Anthropology (16th-18th Century) 3. Sacrifice and politics (16th-18th Century)
2. Sacrifice and religion: Comparisons, Antiquarians, Anthropology (16th-18th Century) 3. Sacrifice and politics (16th-18th Century)
Edited by: Chiara Petrolini
Related Documents:
L’Aśvamedha: Description du sacrifice solennel du cheval dans le culte védique d'aprés les textes du Yajurveda blanc (Vājasaneyisaṃhitā, Śatapathabrāhmaṇa, Kātyāyanaśrautasûtra)
Louvain - Paris: Paul Geuthner - Istas Imprimeur, 1927.
A parallel between Indic and Babylonian Sacrificial Ritual
in: Journal of the American Oriental Society, v. 54 (1934), issue 2: pp.107-128.
Horse Sacrifice in Antiquity
in: Yale Classical Studies, v. 1 (1928), issue : pp.181-192.
King Sagara performs a sacrifice (1712)
from: Ramayana, Bala Kanda
British Library, Add. 15295, f.105
The sentinel in the employ of the Shah of Tabaristan prepares to sacrifice his son to the ghost of the Shah’s soul (Mughal India, court of Akbar) (1560)
from: from a Tuti-nama (Tales of a Parrot): Second Night
The Cleveland Museum of Art