The Battle-Axe at Shao Dances at the Offering of Sacrifices Painting
Year: 1736-1795
From: The Illustrated Regulations for Ceremonial Paraphernalia of the Present Dynasty (illustrated manuscript commissioned by the Qianlong Emperor) - Beijing
Location: V&A Museum, London
External link: collections.vam.ac.uk
Edited by: Chiara Petrolini
Related Documents:
Tracing the Influence of Ming-Qing Buddhism in Early Modern Japan: Yunqi Zhuhong’s Tract on Refraining from Killing and on Releasing Life and Ritual Animal Releases
in: Religions, v. 12 (2021), issue 889: pp.https://www.mdpi.com/1314476.
Licentious Cults and Bloody Victuals: Sacrifice, Reciprocity, and Violence in Traditional Chin
in: Asia Major 3rd series, v. 7 (1994), issue 1: pp.185-211.
Keywords: China
he Interaction of Zhenshan Sacrifice 鎮山祭祀 with Buddhism and Taoism in Patriarchal Traditional Religion
in: Asian Journal of Philosophy and Religion (AJPR), v. 2 (2023), issue 1: pp.147-162.
Multiple Meanings of Buddhist Self-Immolation in China: A Historical Perspective
in: Revue d'Etudes Tibétaines, v. 25 (2012), issue : pp.203-212.
Some Ritual Elaborations on Cooking and Sacrifice
in: Early China, v. 23-24 (1998-1999), issue : pp.89-123.
Keywords: China